Naturally, these components are omitted in the film, but the wolf’s intent to eat the pigs is still retained. After failing to blow down the diligent third pig’s brick house, the wolf climbs down the chimney, but the third pig catches and traps the wolf in a boiling cauldron, eating him in the end. The original source material has the wolf devour the first two pigs after blowing their houses down. During this period, the studio’s four principal story artists were Webb Smith, Ted Sears, Pinto Colvig, and Albert Hurter. By mid-December, 1932, gag meetings were conducted and a three-page outline circulated around the studio. Walt Disney’s wife Lillian and her sister Hazel Sewell, head of the studio’s inking and painting department, suggested this familiar story as a potential Silly Symphony. “Who’s afraid of the Big Bad Wolf, Big Bad Wolf, Big Bad Wolf?” This week’s breakdown features a true Disney triumph.
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